Overshadowed by the Princeton Reverb, which is widely considered one of the most famous studio amps ever built, the non-reverb Princeton is a sleeper hit.
Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package.
Certain words and phrases pique the interest of vintage guitar players and collectors worldwide, like “Burst,” “Blackguard,” “Plexi,” and “Blackface.” Named for their black control panels, Blackface Fender amps are one of the company’s most famous and coveted product series.
Blackface Fender amps tend to be categorized into two groups by collectors and players: “Pre-CBS” (mid-1963 to mid-1965) models with a “Fender Electric Instrument Company” label and “CBS” (mid-1965 to mid-1968) models with a “Fender Musical Instrument” label.
Mic’d, they can be used even in medium to large venues.Also, the non-reverb models cost a lot less than the reverb amps.Plus, unlike the Reverb models, the non-reverb Princeton amp offers a significant amount of clean headroom.Blackface amps were immediately popular upon release and used on numerous famous recordings.They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.
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Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.